SUMMER IDYLL

Peder M. Monsted (Danish, 1859-1941)

Still Water, Summer 1894
Oil on canvas, signed and dated 1894
Size: 33 ½ x 49 ½ in (with frame 39 x 56 in)
19548

Known as Denmark's greatest landscape artist, Peder Monsted became famous for his exceptional technical and compositional skills, as well as for his ability to capture the tranquillity of nature. After studying at the Danish Royal Academy in Copenhagen, he was strongly influenced by his teachers who included some of Denmark’s finest artists, including Peder Severin Krøyer, Janus La Cour, and Godfred Christensen. Monsted had extraordinary talent in interpreting light and air, and Still Water is an excellent example of his early talents.

Mogens Vantore (Danish, 1895-1977)

Summer Day
Oil on canvas, signed lower left "M. Vantore"
Size: 29 x 37 ½ in (with frame 34 ½ x 42 ½ in)
19817

Peder M. Monsted (Danish, 1859-1941)

Torbole, Italy
Oil on canvas, signed, dated, and inscribed lower left "P. Mønsted Torbole 1932"
Size: 19 ¾ x 27 ½ in (with frame 25 ½ x 33 ¼ in)
17935

Jean Beauduin (Belgian, 1851-1916)

Summer Idyll, Brittany
Oil on canvas, signed lower right
Size: 24 x 28 in (with frame 32 x 37 in)
19782

Peder M. Monsted (Danish, 1859-1941)

Street View from Capri with the Bay of Naples and Vesuvius in the Distance
Oil on canvas, inscribed and dated 1885
Size: 14 ½ x 18 in (with frame 21 x 24 ¾ in)
20244

Capri has been a resort since the time of the Roman Republic (509 B.C. to 27 B.C.). This view was likely painted from the Belvedere of Tragara, a historic promenade lined with villas, which remains a tourist destination today.

Peleg Franklin Brownell (Canadian, 1857-1946)

St. Kitts, British West Indies
Oil on canvas, signed with initials and dated 1914 lower right
Size: 9 ¼ x 14 in (with frame 17 x 22 in)
18465

Brownell first visited the Caribbean around 1911. By 1915, he had made several trips to the area and painted approximately forty canvases, watercolours and pastels. Eric Brown, the first director of the National Gallery, was an advocate of Brownell’s work and accompanied him to the West Indies on at least one occasion. It is recognized that his style underwent a significant change after these visits as he was enchanted by the brilliant tropical light and world of exotic textiles. This small body of work is known to be some of his best and most sought after, many being housed in major Canadian institutions.

Gennaro Befani (Italian, 1866-1949)

Jeunesse
Oil on canvas, signed, inscribed and dated lower right
Provenance: Exhibited Paris Salon 1922
Size: 51 ½ x 64 in (with frame 60 ½ x 74 in)
17145

Pierre Eugène Montézin (French, 1874-1946)

Haying Scene
Gouache on board, signed lower left
Size: 4 ½ x 8 ¼ in (with frame 12 ½ x 15 ¾ in)
20266

Trained as a decorative mural painter, Montézin was strongly influenced by the Impressionists, and enjoyed a long and successful career as a landscape and still life painter, equally adept in oils, pastels and gouache. Admitted to the Legion of Honour in 1923, he served on the jury of the Salon des Artistes Français in 1932. In the same year a large retrospective exhibition of his work, numbering over two hundred works, was held in Paris. In 1940, Montézin was elected to the Académie des Beaux-Arts, taking the place of Edouard Vuillard, who had died. Montézin's work is in the collections of the Musée d’Art Moderne de la Ville de Paris, the Musée du Petit Palais, Paris and the Städtische Kunsthalle in Mannheim.

Auguste Bouvard/Marc Aldine (French, 1882-1956)

San Giorgio Maggiore Island from a Venetian Canal
Oil on canvas, signed lower right
Size: 24 x 32 in (with frame 29 x 38 in)
19505

Willard Morse Mitchell (Canadian, 1881-1955)

In The Pine Woods Near the Seigniory Club, at Montebello, P.Q.
Miniature watercolour in original hand carved frame, signed lower right and inscribed and dated 1943 on reverse
Size: 2 ½ x 3 ½ in (with frame 3 x 4 in)
20152

Carl Martin Soya-Jensen (Danish, 1860-1912)

Landscape
Oil on canvas, signed lower right
Size: 19 ½ x 33 ½ in (with frame 25 ¼ x 39 ¾ in)
12374

William Pratt (British, 1855-1936)

A Lazy Afternoon
Oil on canvas, signed and dated 1905
Size: 24 x 18 in (with frame 32 ½ x 27 in)
17345

Alice Blair Thomas (Canadian/American, 1857-1945)

Burnham Beeches, Buckinghamshire, England
Oil on canvas, signed lower right, titled on verso
Size 30 x 50 in (with frame: 36 x 56 in)
20139

Burnham Beeches is a 375 hectare site of Special Scientific Interest and a National Nature Reserve. It was once Le Parc Burn, a royal deer-hunting park belonging to Richard, The Earl of Cornwall, in the 13th century. Since the 19th century, the southern half has been owned by the Corporation of London and open to the public. It is perhaps best known today as a popular film site having been used for Harry Potter, Robin Hood, The Princess Bride, Goldfinger, and many other movies. Historically, it was a popular site for artists in the late 19th century.

George Clarkson Stanfield (British, 1828-1878)

Lake Como
Oil on canvas, signed middle right and titled in pencil on stretcher
Size: 19 ¾ x 30 in (with frame 30 x 40 in)
18645

Lake Como is a bustling town where wealthy Milanese summered to escape the oppressive heat of the city. For much of the 18th and 19th centuries, the region enjoyed a period of peace and prosperity as the area’s silk manufacturing began to flourish. Large villas and summer retreats were built along the lakeside and in the hills above Argegno. The stunning scenery attracted a variety of artists and was featured in paintings as well as poems and music.

Viggo Pedersen (Danish 1854-1926)

Coastal Scene From Arild, Sweden
Oil on cardboard, inscribed and dated 1912
Size: 10 ½ x 15 ¾ in (with frame 18 ½ x 24 in)
17921

This small town in Sweden is located on the south western tip, near Denmark. Arild was a well known resort location in the early 20th century when it was frequented by Europe’s fashionable elite. It has continued to remain popular with painters and artists.

Viggo Pedersen (Danish, 1854-1926)

Under the Chestnut Tree
Oil on canvas, signed lower left "Kamstrup d. 4. september 1880 - Viggo Pedersen"
Size: 12 ¾ x 17 ½ in (with frame 20 ¾ x 25 ¾ in)
17917

Ronald O. Dunlop (Irish, 1894-1973)

Sailboats
Oil on canvas, signed lower right
Size: 24 x 30 in (with frame 32 ¼ x 38 ¼ in)
20265

François van Severdonck (Belgian, 1809-1889)

Sheep In Landscape
Oil on panel, signed and dated 1864
Size: 7 x 9 ½ in (with frame 13 x 15 ¼ in)
13434

Fritz Kraul (Danish, 1862-1935)

Summer Party at Fakse Ladeplads 1908
Oil on canvas, signed lower right
Size: 13 ¾ x 19 ¾ in (with frame 20 ½ x 26 ¼ in)
17687

Henry Bright (British, 1810-1873)

Glynn Ceiriog, Wales
Oil on canvas, signed and dated 1863
Size: 24 x 43 in (with frame 33 x 52 in)
17312

Christian Zacho (Danish, 1843-1913)

View From South France
Oil on canvas, signed and dated 1910
Size: 11 x 15 in (with frame 15 ¾ x 19 ½ in)
18288

Viggo Pedersen (Danish, 1854-1926)

The Sheep Are Gathered Together
Oil on canvas, inscribed and dated 1883
Size: 24 ½ x 45 ¾ in (with frame 32 ¼ x 53 ¼ in)
20025

Viggo Pedersen visited Sora, Italy in 1883–84, and exhibited several works at the Danish Royal Academy in 1884 (numbers 260-265) with motifs of sheep and shepherds from the landscape around the region.