BEYOND THE HORIZON: THE MARINE COLLECTION

Intro copy goes here…


‘High Seas’ oil on canvas, signed lower left "Montague Dawson" and titled "High Seas" on a torn gallery label on verso. Size: 24 h x 36 w in (with frame 31 1/2 h x 43 1/2 w in) J21193

Montague Dawson (British 1890-1973)

Montague Dawson is considered the greatest marine painter of the 20th century in the realist tradition, known for the strict accuracy and nautical detail of his paintings. With little formal training, he was fascinated with ships from an early age and began drawing at the age of eight. After working as an illustrator in London he enlisted in the Royal Navy and earned the duty of keeping a visual record of the war at sea. Mentored by the marine painter Charles Napier Hemy, he submitted works to the Royal Academy and formed a partnership with Frost and Reed who represented him for the remainder of his career. After marrying, he moved his family to Milford on Sea in Hampshire in 1934 where he painted until his death in a cottage he built behind his house. He exhibited regularly at both the Royal Society of Marine Artists and the Royal Academy and was known best for his clipper ships and multi masted sailing vessels of the mid 19th century whose graceful lines and romantic history enchanted him. His clients include the British Royal Family as well as two US Presidents, and he is represented in major private and public marine collections worldwide.


 

‘Shipping off the Coast of Vlissingen, The Netherlands’ oil on canvas, signed lower left “Louis Verboeckhoven" Louis Verboeckhoven (Belgian 1802-1889) Size: 31h x 46 w in (with frame 37 h x 52 w in) J20632

The Belgian marine artist Louis Verboeckhoven trained under his father Barthélemy, a sculptor, and his older brother, Eugène, a celebrated animal painter. Studying under Frans Balthasar Solvyns in Ghent, Louis developed an interest in marine painting and his work was highly regarded. He travelled and painted the coasts of the Netherlands, France and England, documenting many of the small harbours along the Scheldt which have since disappeared or been built up. He became a member of the Rijksakademie in Amsterdam and the Salon in Paris, and his work can be found in institutions throughout Europe. Read more here.

 

The John Fielden was built at St. Martin's, New Brunswick by Brown & Carson in 1846. She was of 916 tons and measured 157' x 31'2" x 21'. Her owner was John Wishert, a St. John merchant who was born at Montrose, Scotland in 1799. She was sold to Liverpool in November 1847 and was employed in the Australian immigration trade. On a voyage from Liverpool to Moreton Bay in 1853 she carried 393 passengers. She went missing in 1860.

‘British Frigate John Fielden’ oil on canvas, unsigned, flag hoist reads "2/5392" in Marryat's code which identifies the vessel. John Hughes (British 1805-1880) Size: 16 ½ h x 28 w in (with frame 21 h x 32 ½ w in) J21129

 

‘British Barque Helen’s Bank’ oil on canvas, signed with initials "W.W." on piece of driftwood, flags "NCQG" identify her as "Helen's Bank" William Webb (British fl.1860-1895) Size: 20 h x 30 w in (with frame 24 ½ h x 34 ½ w in) J21130

Helen's Bank was built in Kincardine, Perthshire in 1869. She was 317 tons, with the official number 20794. She was owned by James Baird Wright, and registered in Alloa, Firth of Forth. By 1871 she was owned by William Thompson of Dixon of Liverpool, but in 1872 she no longer appeared on the Mercantile Marine List.

 

The Revenge was built at Pembroke Dockyard at a cost of 98,583 British Poiunds and was launched April 16, 1859. She was the sixth vessel of this name and was a 3318 ton vessel of the "Reknown" class with 91 guns. Her dimensions were 244' 9" x 55' 4" x 24' 6" with a displacement of 5,500 tons. Originally to be of the James Watt class, Walker decided to improve the lines and provide space for more powerful machinery. In 1861 and 1862 the Revenge was flagship of the channel fleet under Rear Admiral Smart and Captain Charles Fellowes. She was also in the Mediterranean, and was the flagship for Admiral Yelverton in Valetta, Malta.

‘H.M.S. Revenge in Two Positions off Naples 1862’ oil on canvas, signed and dated lower right "de Simone 1862" de Simone (Italian 19th century) Size: 18 h x 26 w in (with frame 24 h x 32 w in) J21132

 

‘Barque Jane Sprott Entering Hong Kong’ oil on canvas, unsigned, Chinese School circa 1870-80 Attributed, Lai Fong (Chinese Active circa 1870-1910) Size: 18 h x 23 ½ w in (with frame 22 7/8 h x 28 ½ w in) J21131

The Jane Sprott was an iron barque with number 58900, built at Harrington in 1868 by R.W. Williamson & Son for J.B. Sprott of Mannering Road, Liverpool. She was 688 tons with dimensions 176' x 30' x 19'. Her signal letters were HPVJ. After 1890 she was owned by Jackson & Metcalf, also of Liverpool. She was bought by the Adelaide Steamship Company circa 1902, renamed Copeland Island, and then Copeland. She was used as a hulk in Albay until 1928, when she was scuttled on May 18, 1928 at Gull Rock, near Albany, Australia.

‘Shipping’ oil on panel, signed lower right "A. Hulk" Abraham Hulk (Dutch 1813-1897) Size: 8 h x 12 w in (with frame 13 h x 17 w in) J17211

‘Danish Barquentine Being Towed in Copenhagen Harbour’ oil on canvas, signed and dated lower left "Fr. Landt 1942" Size: 17.12 h x 21 1/4 w (with frame 21 ½ h x 25 3/4 w in) J21133

This stunning work by renowned Danish marine artist Vilhelm Melbye depicts the famous steam frigate Sjaelland, known for its part in the naval battle of Jasmund during the Second Schleswig War on March 17, 1864. She was the middle of three sister ships, the Niels Juel, Sjaelland, and Jylland which were sail and screw propelled steam frigates as well as sailing ships, the world’s largest wooden war ships. Fregatten Jylland is preserved today as a museum in Ebeltoft, Denmark and considered a national treasure.

‘Steam Frigate ‘Sjaelland’ in High Seas’ oil on canvas, signed and dated lower left "Villhelm Melbye 1874" Size: 42 3/4 h x 66 1/4 w in (with frame 54 1/4 h x 80 1/4 w in) J19986

for caption under Schotel photo (to left) once we take it:
Ship in a Turbulent Sea’ oil on canvas laid on board, unsigned, copy of "Ships in a Turbulent Sea" by Johannes Christiaan Schotel, 1826 in the Rijksmuseum SK-A-1131 Attributed to Johannes Christiaan Schotel (Dutch 1787-1838) Size: 18 3/4 h x 22 ½ w in (with frame 26 ½ h x 29 ½ w in) J21205

‘Dutch Seascapes’ pair of sepia drawings, one signed with initials and dated lower left "JR 1769" Size: 8 ½ h x 12 ½ w in (with frame 15 h x 19 1/4 w in) J19891

 

‘Three British Ships, Defense, Eagle and Worcester Arriving at Table Bay 1783’ oil on canvas, signed lower right "R. Dodd" Size: 33 h x 57 w in (with frame 40 ¼ h x 63 ½ in) J20701

Showing three identifiable British naval ships "Defense", "Eagle" and "Worcester" probably on their way to the Battle off Pondicherry (June 20, 1783). Commissioned by Admiral Sir Andrew Mitchell (1757-1806) in 1797 who was at that time Captain of "Sultan" and was second in command at the Battle off Pondicherry. When Mitchell retired he moved to Canada where he became Commander in Chief of the Royal Naval Fleet in Halifax. In 1805 he married his second wife Mary Uniacke, eldest daughter of prominent Nova Scotian Attorney-General Richard John Uniacke. Mitchell was named Commander-In-Chief of the North America and West Indies Station in 1802, and raised to the rank of Admiral of the Blue in 1805. The couple moved to Bermuda where he died in 1806, subsequently Lady Mary Mitchell moved back to Halifax to the family estate. Lady Mitchell's Room is still a part of Uniacke House, now a historic site. This painting has been handed down through the family to the previous owner.